URBAN EARTH
URBAN ADVENTUREURBAN EARTH: BRISTOL
The next URBAN EARTH adventure (that I know of) will be in Bristol starting at 08:30 on 15.11.2008. The route is currently being planned and as soon as it’s ready it will be up here. If you’re too sleepy to make it for an early morning the route map will give you a good idea of where we will be and when. Join the adventure. Join the conversation. Join the walk. Join the UE facebook group to say your coming and share your thoughts, ideas etc.
Why URBAN EARTH is special.
URBAN EARTH is special.

URBAN EARTH is a simple, straight forward and inclusive idea. Find a city then walk across it. Something that most people can do but choose not. In URBAN EARTH’s case this means stopping and taking a photograph every 8 steps looking forward into the space that is about to be occupied by the camera and never looking at those events, objects, places and animals that the journalist and visitor alike have been conditioned into thinking are ‘interesting’.
I’ve found URBAN EARTH: MUMBAI emotionally challenging. Not so much because of the extreme poverty (though this does trouble me) or the enormous numbers of people and their stunning generosity, but because of the reason I came to be here – as a geographer, a space explore, scientist, artist, adventurer and a human - to capture and (re)present the city.
URBAN EARTH proposes to (re)present cities by showing what they are really like, away from the bias of the human eye. I’ve found this systematic approach to frequently be painful as the stories people and places are left behind.
Away from the URBAN EARTH: MUMBAI route we visited a Koli village. Kolis are fishing people and settled here long before Europeans arrived. Slowly but surely over the last few hundred years these people have watch Mumbai creeping forward and advancing towards their village which is positioned 25km North of the city’s historical centre. In living memory Mumbai has swamped this small village with strong traditions bringing the full force of the city’s pollution, people, high rise buildings, diverse cultures as well opportunities. As one local Koli women explained (who had gained an MA in commerce while studying in the city) “we do not mind visitors coming and seeing our culture, but don’t stop us from practicing it in our own way”. Kolis are now connected to global markets both through the prawns that they export around the world and the threat of licenses being sold to foreign boats that fish off their shores all year round, threatening the stocks of fish that used to be sustainable as the fishing people would lay off for three months in the year to allow them to breed.
Other stories are lost too. Of the children who are growing up in informal settlements, some under plastic sheets on the side of roads but other like these two who have cable TV, water and electricity to their homes and will shortly be rehoused in flats.
In this slum (slums occupy less than 10% of Mumbai’s space yet home around 40% of the city’s people) houses are used as outsourced sweatshops where men die-cast jewellery, divide it into pieces and then women then carefully by hand fix glass beads and paints before they are sent off to be sold in India and further away. Ten years ago people living here could hardly afford to eat and now the majority of homes include a TV set with a cable connection.
This morning I fully intended to write my full blog posting on my experiences of walking across Mumbai. While many people like to write things fresh, cities present me with patterns that I can only see with some temporal distance. I knew that Janmashtami was taking place and so thought I’d go and take a look before getting my experiences into this blog.
Janmashtami is the birthday of Lord Krishna (the eighth incarnation of Lord Vishnu). Over this period many of the city’s people are fasting and praying but the real excitement is over pots that are strung high in the streets, traditionally full of yogurt but now symbolic of a cash prize for those who can create the tallest human towers in an effort to reach it.
I went to see this event unolding in Santa-cruz and take some photo’s and ended up being embedded into a team by Rajan and Vicky two of their ‘leaders’ and travelling around Mumbai by motorbike and truck and photographing the team and their efforts. Their generosity was overwhelming and the festivities amazing: brilliant Indian house music at each of the places we visited, often with crowds of thousands watching as Rajan, Vicky and over a hundred other team members carefully climbed in a determined way towards the pot of money (the winning of which were to be spent within their community).
The experience of travelling for a day and taking part in such a massive event helped to remind and settle me about the importance of URBAN EARTH. URBAN EARTH: MUMBAI does not travel through some of the narrow alleys, or rare fishing village. It does not reach the historical centre of the city and it fails to capture all of the festivals of the city. What all the URBAN EARTH films do is show you a face of the cities in a way that you have never seen before - an imaginative, creative and determined glimpse - one take, one story, one journey across the cities that offer a greater insight into the daily realities of these places rather than focusing on the attractive event that pull to create stronger memories yet distorting our imagined landscapes.
Mumbai (day 2)
After a second day of walking URBAN EARTH: MUMBAI is done. The map below shows roughly where we went (I’ll clean this up later). I’ll be posting a few more images over the next couple of days along with an extended blog but here is a couple of images to get you excited. The first is a frame (above) from the film taken while walking through Dharavi (Asia’s largest slum) and the second was taken just off the path of the film looking back on a traditional garment washing area (click on it to get a better look). More soon….
Mumbai (day 1)
I used to think that London was intense. I used to think that Mexico City was intense. They’re nothing on Mumbai. We walked 24km and it was hard going.
London and Mexico city seem virtually empty compared to Mumbai. People are everywhere. It’s almost like India has decided to play a game of sardines and everyone’s elbows are being forced into the remaining pockets of this confined space. Overwhelmingly the predominant feeling I get from this place is one of safety, tolerance and humour. Moving through Mumbai is physicalling and emotionally challenging (the cars, autorickshaws, people, people, people, heat and smells) my eyes started to oose somthing white half way through and I was drenched in sweat within an hour.
What I’m still trying to come to terms with is the vast inequality. We walked passed some of the richest and poorest people in the world today living on the same road. Tomorrow we’re going through Dhavari, Asia’s biggest slum and then on into the South of Mumbai where land commands some of the highest prices in the world. I’ll let you know how it goes.
Two Day London

Starting in a field of wheat at 07:30 on Monday just North of Grange Hill and finishing up in a field of lavender in Sutton at 15:30 on Tuesday, URBAN EARTH: LONDON is now complete. The walk ended up a tad longer than planned at just under 60km. Not bad for two days walking and it was an amazing adventure. A story of the adventure and some more photo’s will be added here a little later on.
URBAN EARTH: MEXICO is coming…
URBAN EARTH: MEXICO the film is being pulled together as I write and I’ll shortly upload a taster to YouTube, but if you can’t wait and I’m sure you can’t… here are 100 frames from the film…
…and a few more that I like.
Taken in Neza on the second day of the walk, this road that looks like it never ends is being used to collect computers to be recycled.
Every street in Mexico City seems to have a roof of wires, many of which spit electricity at you as you venture passed. Nearly as many are decorated with shoes and boots.
This meat market supplies taco venders across the area and the cow to the left was broken in half just as I took this frame.
Finally here is the team who helped to make this all possible. From the left is Etienne who acted as a guide even though he too was new to where we explored. His calm, fun and ever optimistic approach to the city helped us through the MOST sticky of situation. Marilin in the hat was a superb navigator not only to the streets, but also in helping us to reflect on and make sense of the spaces that we flowed through. El Negro was like a warrior, despite hurting his leg badly set the pace to the very end and took the time to speak to people, no matter who they were even when he was most tired. Finally Anna, who is a complete star largely fixing the adventure and putting the project together with me from plans to publishing.
Oh, and this is me on the final day of the walk.
The edge of the city…
We walked the final 28km from just north of the zócalo in the centre of Mexico City to a tongue of woodland that stretches up towards the west of Santa Fe in the west by late Tuesday. We decided to give a final big push to finish a full day early.
Of the three days it has taken us, our final day had been the hardest. It has also been the day of greatest contrasts. We had been both the most and least safe of the journey today and crossed the sharpest lines of inequality. We’ll be posting lots more stuff later today (Mexican time), but here’s an image taken from within a favela on the side of Santa Fe valley looking back towards where we started.
The endless city?
And so the adventure has started. Starting early Sunday morning we’ve now walked 30km, just over half of our walk across Mexico City. Nearly 4,000 of images that will make up the URBAN EARTH film have been taken so far exposing both the monotony of this city’s grid patterned streets and the diversity of the people and places that straddle them.
The city fights for your constant attention and physically assaults your senses as you walk through it. These six frames from the film start to give you an insight into our journey so far. More stories and images will follow soon.
SALISBURY, forwards
This version of URBAN EARTH:SALISBURY goes forwards.
You can now download both versions of the film from here.
SALISBURY
For the past six years I have been fascinated by the idea of ecological footprints. So, in advance of the three URBAN EARTH walks this summer I decided to walk the radius of one city’s ecofootprint.
Why you might ask? The sphere of influence of any settlement goes beyond the sign the sign that welcomes you to it. When experiencing any place the temptation is to think that its boundaries are fixed, but they are not. The flows of ideas, goods, resources, passions, people, memories, capital, fact and fiction mean that places spread and pulse across through space with optical, tarmac and copper tentacles reaching out in networks across the land. Like satellites first observing the calderas of super-volcanoes which were too big to be seen from the ground, ecological footprinting provides a vision of our impact on the Earth
Salisbury is a relatively small imprint on the English landscape wedged between mixed farmlands the military firing ranges. Covering around 11sqkm and with a population of around 44,000 people this city, like all other cities, has a hidden geography. The area of land and water needed to sustain the lifestyles of its people (its ecological footprint) is 2,186sqkm, 600sqkm larger than London’s urban footprint.
Last weekend I photographed a walk to the centre of Salisbury from the conceptual boundary of this ecological footprint. With the help of the WWF One Planet campaign we worked out that I would need to travel 26km from the city centre, of which only 2km would be made up of the city’s urban footprint. Out of all cities in England, Salisbury has the third best, yet if everyone in the world shared the lifestyle of people in Salisbury we would need nearly two additional planets.
Over the course of a day I took nearly 5,000 photographs, one for every eight paces I walked. By animating the images at 24 frames per second URBAN EARTH: SALISBURY (re)presents the city, not by the physical geography that is experienced by its people and visitors, but by our ability to imagine and understand the relationship this city has on the rest of the planet. This walk is not a real walk through a real footprint. In reality Salisbury is dependent on not just its rural surroundings but the rest of the world. For this film to be a true representation it would be necessary to walk through fields of cocoa, bananas, iron and the other resources that the city imports.
In a world which is continually distorted by our means of travel, channels of media and lack of understanding walking to the limits of the city’s footprint puts the impacts of humanity into perspective. By intentionally bending and representing space our minds can better make sense of the true size of cities and the issues that they present us with and that is exactly what I am doing with URBAN EARTH

























