URBAN EARTH is special.

URBAN EARTH is a simple, straight forward and inclusive idea. Find a city then walk across it. Something that most people can do but choose not. In URBAN EARTH’s case this means stopping and taking a photograph every 8 steps looking forward into the space that is about to be occupied by the camera and never looking at those events, objects, places and animals that the journalist and visitor alike have been conditioned into thinking are ‘interesting’.
I’ve found URBAN EARTH: MUMBAI emotionally challenging. Not so much because of the extreme poverty (though this does trouble me) or the enormous numbers of people and their stunning generosity, but because of the reason I came to be here – as a geographer, a space explore, scientist, artist, adventurer and a human - to capture and (re)present the city.
URBAN EARTH proposes to (re)present cities by showing what they are really like, away from the bias of the human eye. I’ve found this systematic approach to frequently be painful as the stories people and places are left behind.
Away from the URBAN EARTH: MUMBAI route we visited a Koli village. Kolis are fishing people and settled here long before Europeans arrived. Slowly but surely over the last few hundred years these people have watch Mumbai creeping forward and advancing towards their village which is positioned 25km North of the city’s historical centre. In living memory Mumbai has swamped this small village with strong traditions bringing the full force of the city’s pollution, people, high rise buildings, diverse cultures as well opportunities. As one local Koli women explained (who had gained an MA in commerce while studying in the city) “we do not mind visitors coming and seeing our culture, but don’t stop us from practicing it in our own way”. Kolis are now connected to global markets both through the prawns that they export around the world and the threat of licenses being sold to foreign boats that fish off their shores all year round, threatening the stocks of fish that used to be sustainable as the fishing people would lay off for three months in the year to allow them to breed.
Other stories are lost too. Of the children who are growing up in informal settlements, some under plastic sheets on the side of roads but other like these two who have cable TV, water and electricity to their homes and will shortly be rehoused in flats.
In this slum (slums occupy less than 10% of Mumbai’s space yet home around 40% of the city’s people) houses are used as outsourced sweatshops where men die-cast jewellery, divide it into pieces and then women then carefully by hand fix glass beads and paints before they are sent off to be sold in India and further away. Ten years ago people living here could hardly afford to eat and now the majority of homes include a TV set with a cable connection.
This morning I fully intended to write my full blog posting on my experiences of walking across Mumbai. While many people like to write things fresh, cities present me with patterns that I can only see with some temporal distance. I knew that Janmashtami was taking place and so thought I’d go and take a look before getting my experiences into this blog.
Janmashtami is the birthday of Lord Krishna (the eighth incarnation of Lord Vishnu). Over this period many of the city’s people are fasting and praying but the real excitement is over pots that are strung high in the streets, traditionally full of yogurt but now symbolic of a cash prize for those who can create the tallest human towers in an effort to reach it.
I went to see this event unolding in Santa-cruz and take some photo’s and ended up being embedded into a team by Rajan and Vicky two of their ‘leaders’ and travelling around Mumbai by motorbike and truck and photographing the team and their efforts. Their generosity was overwhelming and the festivities amazing: brilliant Indian house music at each of the places we visited, often with crowds of thousands watching as Rajan, Vicky and over a hundred other team members carefully climbed in a determined way towards the pot of money (the winning of which were to be spent within their community).
The experience of travelling for a day and taking part in such a massive event helped to remind and settle me about the importance of URBAN EARTH. URBAN EARTH: MUMBAI does not travel through some of the narrow alleys, or rare fishing village. It does not reach the historical centre of the city and it fails to capture all of the festivals of the city. What all the URBAN EARTH films do is show you a face of the cities in a way that you have never seen before - an imaginative, creative and determined glimpse - one take, one story, one journey across the cities that offer a greater insight into the daily realities of these places rather than focusing on the attractive event that pull to create stronger memories yet distorting our imagined landscapes.








